Two outstanding films ‘Raavsaheb’ and ‘Srikanth’ light up the 55th IFFI’s Indian Panorama section.

 

Two outstanding films ‘Raavsaheb’ and ‘Srikanth’ light up the 55th IFFI’s Indian Panorama section

‘Raavsaheb’ - a gripping environmental thriller, shows the man-animal conflict from a new perspective

Srikanth’s story is a source of inspiration not only for persons with disabilities but for everyone striving to chase their dreams:” Tushar Hiranandani, Director

#IFFIWood, 27 November 2024

 

The 55th International Film Festival of India (IFFI) received an overwhelming response to two impactful films, Raavsaheb (Marathi) and Srikanth (Hindi), featured in the prestigious Indian Panorama section. Both captivated audiences with their compelling narratives and unique perspectives

Raavsaheb, directed by National Award-winning filmmaker Nikhil Mahajan, explores the critical issue of human-animal conflict. Addressing the press at IFFI, Mahajan remarked, “Raavsaheb is not just a film; it’s a reflection of a real-world crisis. We wanted to amplify the urgency of this issue through a thriller format to appeal to the audiences while sparking a larger conversation.” The film is also competing for the coveted Golden Peacock award this year.

Set against the dangerous backdrop of the Tadoba Tiger Reserve in Maharashtra, the film uses the environmental thriller narrative to highlight the delicate balance between humanity and nature.  Discussing the forest’s role as a central character, Mahajan, said, “It was shot in an actual forest, the Tadoba Tiger Reserve in Chandrapur, Maharashtra, so it lends authenticity to the film’s setting. There were tigers all around the forest and it was a dangerous terrain to shoot with a big crew, so while lending authenticity, it was also the toughest challenge to shoot there. We depicted the forest in such a way so that it becomes an integral part of the story.”

Mahajan highlighted a unique challenge during filming: “We could show the tiger in only one scene, yet we had to create the constant feeling of its presence. Through sound design and visual elements, we built an atmosphere of tension and suspense.”

Drawing from two years of extensive research on human-wildlife conflicts in Maharashtra’s Vidarbha region, the film takes inspiration from real events. Raavsaheb offers multiple perspectives on the issue without bias. “Our goal was to portray the subject realistically and objectively, emphasizing coexistence and the need for a balanced relationship between humans and nature” Mahajan explained.

Another film showcased today at IFFI, ‘Srikanth’ is a journey of resilience and hope. Based on the life of Srikanth Bolla, a visually-impaired industrialist and founder of Bollant Industries, the Hindi film is an inspiring testament to human spirit and determination. Directed by Tushar Hiranandani and produced by Nidhi Hiranandani, the film combines the elements of humor and drama to depict Srikanth’s struggles and triumphs against societal limitations. The film is also competing for the prestigious ICFT UNESCO Gandhi Medal this year at IFFI.

Speaking at the press conference, Nidhi Hiranandani described the film as a universal story of perseverance. “Srikanth is about a man’s fight to be seen as an equal and live an authentic life, breaking the barriers imposed by society. Coming out of the challenges of the pandemic, we felt it was crucial to tell a story that brings back hope and faith.”

Director Tushar Hiranandani, known for films like ‘Saand Ki Aankh’, expressed his excitement about returning to IFFI. “Srikanth’s story is a source of inspiration not only for persons with disabilities but for everyone striving to chase their dreams. We portrayed him as a relatable individual, even showing his moments of struggle and failures, which adds authenticity to the narrative.”

Presenting Srikanth as a symbol of resilience and determination, the film challenges preconceived notions about visually-impaired individuals, “This is not just a film about disability but about humanity’s indomitable spirit,” added Tushar Hiranandani.

Both Raavsaheb and Srikanth show the power of storytelling in addressing critical social and environmental issues while inspiring change. Their warm reception at IFFI highlights the evolving cinematic landscape of the country.